TÉLÉCHARGER YFN LUCCI

They are, for the most part, a poor compensation, an unsatisfactory compression of artists still learning how to express the fullness of their gifts while on lockdown. But this. I did not see this stellar acoustic Aventura concert live, but thankfully it is archived on YouTube. Few acts are as well suited to this stripped-down approach as these innovative bachata superstars. For this performance, three of the four members — Romeo Santos, the frontman; Lenny Santos on guitar; Max Santos on bass — were together on a sound stage, and the fourth, Henry Santos, was beamed in to do harmony vocals.

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They are, for the most part, a poor compensation, an unsatisfactory compression of artists still learning how to express the fullness of their gifts while on lockdown. But this. I did not see this stellar acoustic Aventura concert live, but thankfully it is archived on YouTube.

Few acts are as well suited to this stripped-down approach as these innovative bachata superstars. For this performance, three of the four members — Romeo Santos, the frontman; Lenny Santos on guitar; Max Santos on bass — were together on a sound stage, and the fourth, Henry Santos, was beamed in to do harmony vocals. Sprinkled throughout the show was some unconvincing shilling for Bud Light Seltzer, but that was a small price to pay for a performance this intimate and careful.

From its dembow-ish beat to its wholehearted chorus to all of its burnished details — the mixture of electronic and acoustic-sounding percussion, the female voice that sails alongside Legend in the last choruses, the brief bits of guitar, the synthesizer and saxophone counterpoints, the nuggets of sampled vocals that pop up all over the place — this seemingly modest ditty credited to five songwriters and four producers springs little delights all the way through.

The track has all the trappings of golden era Ayers: a chorus of wafting female vocals, gooey synths and a drum beat that steadily simmers. The two sound relieved to have found each other. An upbeat theme song for the oddball children of the world. That feeling — of a writhing text, something almost escaping its own language — became inspiration for Tropos, a quintet of young improvisers and composers who first met as students at New England Conservatory.

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